{"id":72,"date":"2019-03-17T14:55:17","date_gmt":"2019-03-17T14:55:17","guid":{"rendered":"http:\/\/bahrsopran.de\/?p=72"},"modified":"2025-07-30T13:06:05","modified_gmt":"2025-07-30T13:06:05","slug":"der-himmel-lacht-2","status":"publish","type":"post","link":"https:\/\/bahrsopran.de\/?p=72","title":{"rendered":""},"content":{"rendered":"\n<p>Margret Bahr ist Solistin in Oratorien und Konzerten. Ihre Stimme \u201eist klar, fein und zart und von besonderem Timbre\u201c, schreibt das Musikmagazin \u201eDas Orchester\u201c. <\/p>\n\n\n\n<p>Sie wird \u00fcber die Grenzen Deutschlands hinaus engagiert und von namhaften Musikfestivals eingeladen. Dabei arbeitet die Berliner Sopranistin mit renommierten Instrumental-Ensembles und K\u00fcnstler*innen zusammen, die sich auf die Musik des Barock spezialisiert haben.    <\/p>\n\n\n\n<p>Margret Bahr studierte in Berlin und Greifswald Musik und Germanistik und erg\u00e4nzte ihre gesangssolistische Ausbildung bei Prof. Adele Stolte, Doerthe Maria Sandmann, Prof. Barbara Schlick, Stephanie Petitlaurent u.a.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"769\" height=\"1024\" data-id=\"311\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-769x1024.jpg\" alt=\"\" class=\"wp-image-311\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-769x1024.jpg 769w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-225x300.jpg 225w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-768x1023.jpg 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-1153x1536.jpg 1153w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-1537x2048.jpg 1537w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681-1200x1598.jpg 1200w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_116681.jpg 1855w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" data-id=\"312\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-685x1024.jpg\" alt=\"\" class=\"wp-image-312\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-685x1024.jpg 685w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-201x300.jpg 201w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-768x1147.jpg 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-1028x1536.jpg 1028w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-1371x2048.jpg 1371w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-1200x1793.jpg 1200w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_11651-scaled.jpg 1714w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"626\" height=\"1024\" data-id=\"313\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/bahrsopran-3-626x1024.jpg\" alt=\"\" class=\"wp-image-313\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/bahrsopran-3-626x1024.jpg 626w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/bahrsopran-3-183x300.jpg 183w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/bahrsopran-3-768x1257.jpg 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/bahrsopran-3-938x1536.jpg 938w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/bahrsopran-3.jpg 1063w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color\"><em>Margret Bahr<strong> <\/strong>is a soloist who performs in oratorios and concerts. According to the music journal \u201cDas Orchester\u201d, her voice \u201cis clear, delicate, and gentle and has an exceptional timbre.\u201d<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color\"><em>She has won engagements both in Germany and abroad and is invited to perform at notable music festivals. The soprano from Berlin collaborates with well-known instrumental ensembles and artists who specialize in baroque music.<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color\"><em>Margret Bahr studied music and German language and literature in Berlin and Greifswald and rounded off her vocal training as a soloist with Prof. Adele Stolte, Doerthe Maria Sandmann, Prof. Barbara Schlick, and Stephanie Petitlaurent, to name just a few.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"921\" height=\"1024\" data-id=\"292\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-921x1024.jpg\" alt=\"\" class=\"wp-image-292\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-921x1024.jpg 921w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-270x300.jpg 270w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-768x854.jpg 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-1382x1536.jpg 1382w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-1843x2048.jpg 1843w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1161-1200x1334.jpg 1200w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1024\" data-id=\"291\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-721x1024.jpg\" alt=\"\" class=\"wp-image-291\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-721x1024.jpg 721w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-211x300.jpg 211w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-768x1091.jpg 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-1081x1536.jpg 1081w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-1442x2048.jpg 1442w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1-1200x1704.jpg 1200w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2019\/03\/IMG_1158-1.jpg 1580w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">L I V E &#8211; M I T S C H N I T T E<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"H\u00e4ndel Guilio Cesare | Son nata a lagrimar | Burak \u00d6zdemir &amp; Musica Sequenza\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/UtycLWfxtUw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">\u201eSon nata a lagrimar\u201c (G. F. H\u00e4ndel) aus der Oper \u201eGiulio Cesare&#8220; (HWV 17), Uckerm\u00e4rkische Musikwochen am 13. August 2023 \/ Margret Bahr (Sopran), Burak \u00d6zdemir (Barockfagott), Musica Sequenza<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Spirate Vos Zeffiri - Bianca Maria Meda - Ensembe Musica Sequenza\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/hXPnZEOx4D4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">\u201eSpirate Vos Zeffiri\u201c (B. M. Meda), Neujahrskonzert des Heinrich-Sch\u00fctz-Hauses Wei\u00dfenfels am 21. Januar 2024 \/ Margret Bahr (Sopran), Burak \u00d6zdemir (Barockfagott und Leitung), Musica Sequenza<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"G. F. H\u00e4ndel - Addio, mio caro bene (Burak \u00d6zdemir, Margret Bahr, Musica Sequenza)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/NglQr4F5akE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">\u201eAddio, mio caro bene\u201c (G. F. H\u00e4ndel) aus der Oper \u201eTeseo&#8220; (HWV 9), \u201eBaroque Lounge II: Morphine&#8220; (H\u00e4ndel-Festspiele Halle am 6. Juni 2022) \/ Burak \u00d6zdemir (Barockfagott, Konzept und musikalische Leitung), Margret Bahr (Sopran), Musica Sequenza<\/p>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J. S. Bach - H\u00f6chster, was ich habe (Margret Bahr, concentus musicus, Leitung Ir\u00e9n\u00e9e Peyrot)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/cN1xKm46QKI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">\u201eH\u00f6chster, was ich habe\u201c (J. S. Bach) aus der Kantate \u201eBrich dem Hungrigen dein Brot\u201c (BWV 39), Marktkirche Halle am 6. Juni 2021 \/ Margret Bahr (Sopran), concentus musicus, Ir\u00e9n\u00e9e Peyrot (Leitung und Orgel)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"H\u00e4ndel - Quoniam tu solus sanctus (live mit Margret Bahr, Annegret Siedel &amp; Arno Schneider)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/dWZEBHsBNjc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">\u201eQuoniam tu solus sanctus\u201c (G. F. H\u00e4ndel), Klosterkirche Altfriedland am 29. August 2020 \/ Margret Bahr (Sopran), Annegret Siedel (Violine), Arno Schneider (Orgel)<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">A L B E N<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"4000\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release.png\" alt=\"\" class=\"wp-image-408\" style=\"width:224px;height:224px\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release.png 4000w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release-300x300.png 300w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release-150x150.png 150w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release-768x768.png 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release-1536x1536.png 1536w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/MORPHINE_digicover_release-2048x2048.png 2048w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\"><a href=\"https:\/\/youtu.be\/0wfUP5avkac?list=OLAK5uy_nNQqHwvrfhOk9kgETyZykzJ8YhIpnE1ok\">H\u00c4NDEL MORPHINE<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\">Burak \u00d6zdemir (Konzept, K\u00fcnstlerischer Leiter &amp; Barockfagott), Margret Bahr (Sopran), Musica Sequenza: Tim Willis (Barockvioline), Miako Klein (Barockvioline), Chang-Yun Yoo (Barockviola), Linda Mantcheva (Barockvioloncello), Mirjam Wittulski (Barockkontrabass), Cengiz \u00d6zdemir (Orgel), Charlie Zhang (Theorbe), Christian Jaeger (Tonmeister), studio daniel mulder (Design &amp; Video), Tacet Nota 2021<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"With Darkness Deep - Theodora (HWV 68) - H\u00e4ndel\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/f_Qf6WLHoXg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Making of H\u00c4NDEL MORPHINE - Musica Sequenza\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/H20drTkpLSQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/0881488170559-1200px-001-1024x1024.jpg\" alt=\"\" class=\"wp-image-412\" style=\"width:215px;height:215px\" srcset=\"https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/0881488170559-1200px-001-1024x1024.jpg 1024w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/0881488170559-1200px-001-300x300.jpg 300w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/0881488170559-1200px-001-150x150.jpg 150w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/0881488170559-1200px-001-768x768.jpg 768w, https:\/\/bahrsopran.de\/wp-content\/uploads\/2021\/01\/0881488170559-1200px-001.jpg 1200w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left has-small-font-size\"><a href=\"https:\/\/www.youtube.com\/watch?v=ZVPQmMATUUI&amp;list=PLzJaDad-DD_BD38DHhePi9MI-D7kLJvrN&amp;index=8\">DER HIMMEL LACHT<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"> Margret Bahr (Sopran), neues barockduo berlin: Anna Barbara Kastelewicz (Violine), Arno Schneider (Cembalo, Orgel), Rainer Ahrens (Tonmeister), H\u00e4nssler Classic 2017<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>\u201eein ber\u00fchrendes Klangkunstwerk\u201c, \u201eperfektes musikalisches Antidepressivum\u201c<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">&#8211;<em>&nbsp;<a href=\"https:\/\/dasorchester.de\/artikel\/%C2%84der-himmel-lacht%C2%93\/\">das Orchester 01\/2018<\/a><\/em><\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Margret Bahr ist Solistin in Oratorien und Konzerten. Ihre Stimme \u201eist klar, fein und zart und von besonderem Timbre\u201c, schreibt das Musikmagazin \u201eDas Orchester\u201c. Sie wird \u00fcber die Grenzen Deutschlands hinaus engagiert und von namhaften Musikfestivals eingeladen. Dabei arbeitet die Berliner Sopranistin mit renommierten Instrumental-Ensembles und K\u00fcnstler*innen zusammen, die sich auf die Musik des Barock &hellip; <a href=\"https:\/\/bahrsopran.de\/?p=72\" class=\"more-link\"><span class=\"screen-reader-text\">\u201e\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-72","post","type-post","status-publish","format-image","hentry","category-uncategorized","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/bahrsopran.de\/index.php?rest_route=\/wp\/v2\/posts\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bahrsopran.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bahrsopran.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bahrsopran.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bahrsopran.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=72"}],"version-history":[{"count":176,"href":"https:\/\/bahrsopran.de\/index.php?rest_route=\/wp\/v2\/posts\/72\/revisions"}],"predecessor-version":[{"id":664,"href":"https:\/\/bahrsopran.de\/index.php?rest_route=\/wp\/v2\/posts\/72\/revisions\/664"}],"wp:attachment":[{"href":"https:\/\/bahrsopran.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=72"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bahrsopran.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=72"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bahrsopran.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}